Add Colour (Refugee Boat) begins as an all-white boat in an all-white room. Ono’s instruction for this collective, participatory work reads: ‘Just blue like the ocean.’ You are invited to contribute your hopes and beliefs in blue and white.
Estados de excepción (States of Exception) is series of participatory cultural interventions created for women to freely and joyfully exercise our rights in public and secure environments, currently being produced in Mexico and abroad.
"Members of the Reclaim Shakespeare Company jumped on stage at the Noël Coward theatre to deliver another surprise anti-BP performance. Just before the second half of a BP-sponsored Royal Shakespeare Company (RSC) performance of Much Ado About Nothing was due to begin, the three actor-vists performed a short Shakespeare-inspired piece.
Tate Modern considers activists' wind turbine for art collection: Liberate Tate, an art collective who object to BP sponsorship, have offered the 16 metre turbine blade to the gallery
A 1.5 tonne, 16.5 metre-long wind turbine blade carried last month to the Tate Modern by artists objecting to the gallery's sponsorship by oil company BP is being considered for the national art collection.
In partnership with Southwark Council, Peckham Settlement, Peckham Space and Resonance FM. Supported using public funding by the National Lottery through Arts Council England and Kickstarter Campaign supporters.
Homeworkers 1977 is the central piece of a multidisciplinary project that comprised photographs, interviews, news clippings and a large canvas documenting the situation of non-unionised women doing manual work at home.
Protesters from Extinction Rebellion disrupted London Fashion Week last weekend (15 February).
The group called on the industry to change its approach to protecting the planet: “We are asking not for sustainability but a complete reinvention of this industry in a way that regenerates the environment,” Extinction Rebellion spokesperson Sara Arnold said.
When Tracey Emin aired her dirty laundry in the 1999 Turner Prize exhibition at Tate Britain, she set a new standard for confessional art. She conceived of the installation, titled My Bed (1998), after a long, bedridden bender following a bad break-up. When Emin finally left her sheets, she examined the mess she’d created.
On July 23rd 2011 a newly formed organization Multi-Story performed Stravinsky’s Rite of Spring in a multi-story car park in Peckham Rye London. In doing so it completely subverted the entrenched traditions of the performance of classical music. The organization used student musicians and did not charge admission.
Entitled 2016, the year it was made, this painting depicts a golden boat sinking below the surface of the ocean. The composition’s central subject is a chaotic tumble of black, white, gold and flesh-toned colours, suggesting the boat’s inhabitants are spilling over its edges into the water.
Savages are an all-female post-punk band that attempt to motivate people to be informed and take part in politics. They "try to give people a platform to express their own ideas" as Fay Milton of the band explains.
The following is the manifesto Savages wrote for their 2016 album, Adore Life:
Between the late 1960s and 1970s numerous alternative printshops were set up across the UK, with the founding objective of producing, providing or facilitating the cheap and safe printing of radical materials. They were started by libertarians, aligned and non-aligned Marxists, anarchists and feminists, and as such were constitutive of the fractured and fractious politics of the post-1968 left.
The upcoming year of fashion shows look set to be charged with climate change and environmental themes.
This year, more than ever before, we have seen that the business of fashion, at the highest levels, is responding to the push to take the very pressing issue of climate change and environmental damage seriously.
Between 1995 and 2017 the highly addictive painkiller OxyContin brought in $35 billion USD in revenue for Purdue Pharma, most of which went directly into the hands of the Sackler family.
I was 24 years old. We were in danger. The Israeli planes were flying raids overhead. And I was designing posters." Hosni Radwan won't easily forget the conditions in the Beirut offices of the PLO Information Department, as an exhibition of the work it produced opens in London.
Last June, Harris Reed became a member of the “Class of 2020” -- the crop of young fashion talent who graduated into an industry on rocky ground due to the pandemic. Over the eight months that have passed since earning his cap and gown at Central Saint Martins, Harris seems to have done a good job of finding his feet.
Museums and art galleries are not usually the sites of feminist political protest. Yet over the past couple of years, before the lockdown, gallery visitors all over the UK had noticed a small, determined activist whose modus operandi is “Small signs, big questions, fabulous wardrobe”.
After artists learned that London's Design Museum was connected to Leonardo, a large arms dealing company, and hosted an event for them, many of the artists featured in their Hope to Nope: Graphics and Politics 2008-2018 asked the museum for their work to be removed. After receiving no response, one third of the show's artists removed their work from the show.
Hoax: The London 2012 Olympic Games website was faked by group CAMSOL
The official London 2012 Olympic Games website was faked on Wednesday by protesters demanding that BP be dropped as one of the event’s official sponsors.
Published April 13, 2012 on The Telegraph UK by Jacquelin Magnay
Fifty-six-year-old Dan Witz — who originally hails from Chicago but lives in Brooklyn — has been producing street art in New York since the seventies. And not just any street art. Wondrous works that trick the eye and often elude passersby altogether. Oh, but when one realizes what he or she is seeing, it’s pure revelation.
Protesters bathed an entrance to the Tate Britain in mock oil provoking anger from guests attending a party to mark 20 years of BP's sponsorship of the flagship gallery. A dozen veiled artists, angered by the Tate's continuing involvement with the oil giant, spat vats of treacle before covering the area with feathers as guests arrived.
On March 10, 1914, Mary Richardson slashed Velasquez's "Rokeby Venus" with a small axe during public hours at the National Gallery in London. A militant suffragette protesting the force-feeding of imprisoned suffragettes in prison (and the Cat and Mouse Act which released the starving women only until they were slightly healthier only to imprison them again), Richardson released this statement after her arrest:
The group Art Not Oil did a campaign to raise awareness about the oil industry, and their funding of Art. "Art Not Oil has campaigned against Big Oil cultural sponsorship since 2004.
Lund called his project Operation Earnest Voice after a US-led campaign to spread pro-American sentiment on social media abroad. The campaign involves deploying false identities, or “sockpuppet” accounts, to comment on and derail online conversations in an effort to sway public attitude.