Students at art colleges across China are taking a strong stance in the midst of the largest wave of protests to have gripped the country since 1989. As demonstrations against the government’s strict Covid-19 policies erupted across the country over the weekend, students rallied on campuses to create protest art and graffiti.
Song Dong's Waste Not consisted of a single installation comprising over 10,000 commonplace, domestic items of daily life that had been used and amassed by the artist’s mother (Zhao Xiangyuan) over fifty years.
In early January, constructions workers in Wuhan, China staged a Gangnam Style protest in front of their employer's building. Using the Gangnam Style dance, the men sought to bring media attention to their mounting unpaid wages.
“Girl’s Day” in China was supposed to be a way for boys on college campuses to show the girls how much they care. This year it went too far.
Have you heard about “Girl’s Day?” It’s a big holiday for Chinese college students. Every year on March 7, students throughout the country celebrate the day as a campus version of International Women’s Day.
Chen Boer's first heroine film, which she co-wrote and directed, was "Daughter of China," about female soldiers in the Northeast Anti-Japanese United Army. They didn't have much filmed material at the time, but as a feminist, Chen Boer clearly wanted to record the sacrifices and contributions of Chinese women in the War of Resistance against Japanese Aggression.
Exhibition visitors have expressed feelings of uneasiness or even pain and nostalgia when seeing Colored Vases by Ai Weiwei1. The 51 vases that make up the artwork are originally treasures from the Neolithic Age (5000–3000 BCE) and the artist has dunked them in common industrial paint.
Why did Ai Weiwei do it?
This is a series of paintings reflecting the struggle and sacrifices made by the Tibetan people for independence. The author is Tenzing Rigdol, who is a Tibetan and influenced a lot by the Dalai Lama and traditional Tibetan culture. The paintings are full of Tibetan cultural elements. For instance, the characters created in the paintings are Tibetan monks, who are the typical representatives of their culture.
Food delivery riders are taking industrial action in China over low pay and the recent detention of an unofficial labor leader. The strike comes after Xiong Yan, who headed an unofficial union formed by workers for the food delivery app Ele.me and other services, was detained in Beijing last month. His whereabouts are still unknown.
On January 17, 2011, Hong Yuping (洪玉萍), from Fujian Province, contacted Yu Jianrong (于建嵘), at the Chinese Academy of Social Sciences (CASS), about her family’s plight and requested assistance: In June 2009, their son, Yang Weixin (杨伟鑫), then age six, was abducted from their hometown, Quanzhou, and they had been searching for him ever since.1 In early 2010, Hong had recognized Yang Weixin in a photo of three children begging outside a Xiamen train statio
Farmification is a part-time farming scheme to help migrant workers gain control over their futures in relation to their past values. Before, these workers were farmers, producing food for themselves and for others, but now having migrated into factories these producers became consumers. Who’s making all the food now? Over years, Farmification as a quiet meme migrated in making statements indirectly, without a voice of conflict from the doer.
A minibus is parked on the side of the road with a series of pipelines wrapped around it. One end of the pipeline is connected to the exhaust port of the minibus, and the other end is put into the car, so that the exhaust gas can be directly introduced into the car, forming a " Street gas chamber".
Brother Gao are two China artists. Their works are aims at reflecting the reality of Chinese society in an artistic and critical view. In 2003, the brothers held an event to invite many strangers for a dinner.
China's only seaside theater festival has been held in the resort town of Aranya in north China's Hebei Province. Artists from around the world traveled there to take deep dive into the world of dramatic performance. For theatergoers, there were interactive activities including cross-border installations such as seaside talks, environmental drama readings, screenings, theater houses, parades and bonfires by the sea.
Recently, residents in the coastal city of Ningbo rallied to oppose the expansion of a plant that produces paraxylene (PX), a potentially hazardous chemical used in the production of plastics and polyester. Protesters organized using microblogs and other social media and turned out over several days in demonstrations of people power that sometimes met with violent confrontations with police.
In 2012, the 24-year-old feminist activist Xiao Meili launched the "Beautiful Women's Rights Walk" anti-sexual assault activity. She set off from Beijing in mid-September and passed through Zhengzhou, Wuhan, Changsha and other cities along the way to reach the destination Guangzhou. She took 114 days and reaches more than 2500 kilometers in this tour.
In 2009, the dissident artist created a work to honour the thousands of children who died in the Sichuan earthquake. He recalls how the project, Remembering, angered China’s rulers – and changed his career for ever
This is an edited extract from The Start podcast
In the south-western city of Chengdu, by all accounts a city on the edge coping with heavy pollution but also with authorities scrambling to put a lid on simmering discontent. That night police detained a number of artists who managed to stage a silent demonstration, while wearing face masks.
Founded 19 years ago, the Beijing Queer Film Festival (aka Love Queer Cinema Week) is one of the grassroots film festivals in China focusing on independent queer film screenings and cultural exchange activities. We aim to expand public discussions on sexuality / gender identity / gender expression, we aim to give a platform to sexual and other minorities in China and the World, and we celebrate diversity.
A photography project on China's marriage market has recently reignited the debate about marriage in China, and the phenomenon of women deemed too old to marry, or "leftover women" in the country.
Yu Hong’s Female Writer, a painted and photographic portrait of the writer Zhao Bo 趙波 (b. 1971), recalls courtly images of idealized beauties. Yu, however, deliberately complicates the perspective in her composition: she asked the sitters for her She series to select photographs of themselves that could be paired with her paintings, meaning that the images together convey dual female perspectives, both the artist’s and the subject’s.
Dropping a Han Dynasty Urn (1995) by Ai Weiwei is a highly provocative work of art. This series of three black and white photographs portray the artist holding a 2,000-year-old Han dynasty urn that, frame by frame, he drops, it falls, and shatters. As much a work of photography as a work of performance art, in each still an unaffected Ai looks directly at the camera aware of his destructiveness.
Leilei Zhang was harassed on a public bus when a man gripped her hand, glared at her and refused to let go. With the determination to raise public awareness, Leilei began a crowd-funding campaign to raise money for what could have been China's first public anti-sexual harassment advertisement. She approached the authorities of her home city, Guangzhou, but it did not want to take on the advertising for fear it would panic the public.
They are disparaged as “free-willed” women, “stubborn,” “picky,” “incomplete.”
But a video by an East Asian beauty brand that went viral over the past week has upended the conversation on China’s sheng nu, which translates literally into “leftover women” — those who happen to be over 27 and unmarried.
“People think that in Chinese society an unmarried woman is incomplete. You feel like an outsider,” says one young woman.