Beyoncé delivered an intensely, unapologetic celebration of Black and HBCU culture at the Coachella Festival 2 weekends in a row. Not only were her performances some of the best live performances to date but they sent a pretty significant message to the world.
Here are some assessments of this beautiful demonstration of Blackness and Black Girl Magic:
From BBC News:
Grammys 2015: Abuse survivor Brooke Axtell talks Katy Perry, advocacy
by Nardine Saad
Domestic abuse survivor and advocate Brooke Axtell captivated audiences watching the Grammy Awards on Sunday with a stirring spoken-word piece before Katy Perry's performance of her ballad "By the Grace of God" at the Staples Center in Los Angeles.
“Cabaret Con-Sensual is an effort comprised of actors, dancers, comedians, producers, writers, and other artists who strive to champion consent and discuss rape-culture through the subversive, yet expressive medium of the performing arts.”
The show was created by Bitsy La Bourbon, founder of the anti rape campaign and non profit organization More Than No.
The Immigrant Yarn Project (IYP), organized and created by Cindy Weil was a massive work of public and democratic (crowd-sourced), yarn-based art honoring our immigrant heritage and promoting tolerance, difference, and community. Weil reached out across the state and beyond to collect yarn-based creations by immigrants and their descendants.
LOS ANGELES — At the Grammy Awards on Sunday night, pop’s megastars will compete for the music industry’s most prestigious trophy, and put on flashy performances that are sure to ricochet through social media.
General Motors has pulled its funding of the Heartland Institute, after an aggressive campaign targeted the company’s financial contributions.Forecast the Facts, an advocacy group focused on increasing awareness of climate change, targeted GM after leaked documents revealed the Heartland Institute’s strategy to promote global warming denial in schools.
DEL AIRE, Calif. — Fruit looms large in the California psyche. Since the 1800s, dewy images of oranges, lemons and other fruits have been a lure for seekers of the state’s postcard essence, symbols of fertile land, felicitous climate and the possibilities of pleasure.
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San Francisco, California
Corrected Billboard Defends Transparency at Guantanamo Bay
The California Department of Corrections (CDC) has unveiled a new billboard campaign to assist the U.S. Navy with transparency at the Guantanamo Bay detention facility.
Visible Distance / Second Sight is an art installation by Jennifer Bolande for DesertX. The temporary artwork can be found along the Gene Autry Trail near Vista Chino (33°50’41.70”N 116°30’21.02”W), where a series of consecutive billboards have been replaced by perfectly aligned photos of the landscapes they are blocking.
From the DesertX project page:
Founded by Bobby Gordon and Nayeli Adorador Knudsen, The Melrose Poetry Bureau is a public intervention involving a whole lot of typewriters, a public space, and the chaos that ensues. Once a location is picked for an intervention, Bobby and Nayeli pack up their collection of old and new, sleek and saggy typewriters and transport them to that place. They set up tables, distribute the typewriters, and invite people to come write poetry.
Creative Time, Social Practice Archive: In 2000 Heavy Trash, an anonymous arts organization of designers, architects, and urban planners, implemented its Aqua Line project throughout various parts of Los Angeles. The project involved the installation of false "Future Station Location" signs in the downtown area, notifying passersby of the impending construction of a subway that would connect the downtown to the Westside.
In May of 1977, artist Suzanne Lacy mapped every reported rape in LA for a period of three weeks. This project, aptly named "Three Weeks in May", was part of an extended performance which Lacy utilized as a means to expose LA's problem of violence against women. As a centerpiece for this project, Lacy used a large map where she recorded every reported rape in the area with the word RAPE.
Local artist fnnch wants San Francisco to decriminalize certain types of art.
You’re not seeing things: A whopping 450 “honey bears”—variations on the immediately recognizable and widely imitated bear-shaped honey bottles sold in seemingly every store in America--appeared all over SoMa late Sunday night, from the Embarcadero to Fifth Street.
The American rapper’s performance of 'Stand Up for Something' with singer Andra Day has gone down as one of the highlights of this year’s Academy Awards.
Common used his Oscars performance to condemn Donald Trump’s “hate” and the National Rifle Association.
The American rapper’s performance of “Stand Up for Something” with singer Andra Day has been held up by many as one of the highlights of this year’s Academy Awards.
For 35 years, the Billboard Liberation Front have been altering public advertisements in San Francisco under the cover of night, strategically changing words or phrases to invert the intended message of corporate sponsors. Considering their guerrilla reclamation of public space an "improvement of outdoor advertising," the BLF regards the advertisers whose billboards they improve as clients, for whom they are performing a vital service.
Julie Dillon is a critically acclaimed illustrator, having been nominated and won multiple awards, including two Hugos and a Chesley. Her work often deals with science fiction and fantasy stories, and her work in the field has made her aware of the lack of diversity in this optimistic speculative fiction.
3-part webseries where Life Line Booths are set up with donated items in homeless communities for anyone's taking.
In addition to practical aid, we provide blank canvases, paper and markers for visitors to express their thoughts and share their stories. Through these shared stories, we hope to shatter the stigmas about homelessness at large.
Vince Staples mentioned Long Beach's Ramona Park approximately 80 times on his debut album Summertime '06 and even allotted the park two of its own tracks: "Ramona Park Legend Pt. 1" and "Ramona Park Legend Pt. 2." "The sun come down and guns come out, you know Ramona Park."
The humorously critical project offered people an opportunity to compare themselves to the supermodel silhouette: face to face in the imaginary impression of a mirror, or at real physical scale.
The idea was born out of a serious concern with the publicized woman's body - our social obsession with thin ideals - that falls nowhere close to average or, for the majority of the population, healthy.