Mural artists add color and flavor on 800 South in the Granary District of downtown Salt Lake City. There’s an old-fashioned bar on the side of a locally-owned brewery, and a Southern Utah landscape on another building. Down the street, on the south corner of 800 South and 300 West, there’s a new mural that’s far more potent.
Courtoom sketches were, for many cases, the only glimpses into high profile trails that captivated the nation. Now, over 200 of these sketches by artists will be in the Library of Congress, ranging from cases such as The Rodney King trial, the Watergate scandal, and the Allen v. Farrow custody battle. While the Nation's Library will be collecting these sketches for their historic value, many seek to buy the "art" as an investment.
My skin is black,” the first woman’s story begins, “my arms are long.” And, to a slow and steady beat, “my hair is woolly, my back is strong.” Singing in a club in Holland, in 1965, Nina Simone introduced a song she had written about what she called “four Negro women” to a young, homogeneously white, and transfixed crowd.
Maryland Hall, in partnership with the Banneker Douglass Museum and Maryland Commission on African American History and Culture, invited Maryland-based Black artists, whose work encapsulates activism and social justice and using the creative process to educate their audiences about diversity, equity and inclusion to send proposals to take one of six 5 ft.
The idea was born in an instant.
A curator attending an opening at the Baltimore Museum of Art was immediately captivated by a painting from an artist she had barely heard of, Mary Lovelace O’Neal.
The Ogden Ar(t)chives Mailbox is a community project that was initiated by Ogden poet, Angelika Brewer. The project involves a metal sculpture of a mailbox, which has various decorative elements such as a typewriter, a birdcage, and a heart. The mailbox serves as a platform for the public to submit their creative works such as poems, drawings, letters, or anything that can fit in an envelope.
"There is a tragic timeliness to Flyaway Productions' Meet Us Quickly With Your Mercy. As the nation grapples with systemic racism and police brutality, as well as the COVID-19 pandemic, choreographer Jo Kreiter's new aerial work seeks to amplify the call for ending the mass incarceration that disproportionately affects people of color.
By COREY KILGANNON
There was something odd about the ice cream truck that pulled up to the curb on Park Avenue near 67th Street on Friday, with its proletarian color scheme and its overdressed driver with the subversive grin.
Both Johnson and Lewis recognize that the personal is political, and vice versa. By making connections between storytelling and activism, the two young women are using creative approaches to achieving justice and equity.
In this series featured in the 2019 Whitney Biennial, artist Alexandra Bell edited headline pages from the New York Daily News in 1989 concerning the case of the Central Park 5. Through redaction, highlighting, and censoring, Bell shows how the teens accused of this crime were painted as a pack of animals by the media.
When the U.S. government came after Anglea Davis, art came to her defense. Targeted by the Federal Bureau of Investigation as one of its “10 Most Wanted” in 1970, tracked down, jailed and accused of three capital crimes, artists and activists around the world rose to her defense. She would be found not guilty on all counts.
Sarcastic delivery spoken to black people talking about issues regarding black "progress" , media, consumption among other things
https://www.instagram.com/jillisblack/?hl=en
https://www.instagram.com/p/Bb3Y-bQFc2a/?hl=en&taken-by=jillisblack
“How different. Exotic,” commented one women as she watched a group of almost 50 people — mostly young and black, many wearing bright fabrics with African designs — stroll through the Shopping Leblon mall.
On July 2nd, 2013, after attending the Gas Exporting Countries Forum (GECF) conference, Bolivian President Evo Morales departed Russia from Vnukovo Airport in Moscow aboard his presidential plane. However, a "leak" suggested that Edward Snowden was aboard, which led Spain, France, and Portugal to close their airspace to the aircraft, to then be grounded in Austria.
Note before the post: This article is great in highlighting a specific case of creative activism in the streets of New York City, but also gives some contextual background to how this project manifested.
On a sidewalk in the Village in downtown Manhattan, an African-American woman leans on her elbows and knees, wearing only black underpants. Scrawled in black marker all over her body are the words "Ain't I a Woman?"
In 2011, a video displaying fashion designer and former lead designer at Dior, John Galliano, shouting anti-Semitic remarks, went viral on the internet, leading to his subsequent dismissal from Dior and the subsequent defamation of his career. Nonetheless, Parsons at the New School extended Galliano an offer to teach a specialized design seminar, which was scheduled to begin this year.
Some 70 or 80 local activists, politicians and other concerned citizens gathered outside Irvington Village Hall Sunday evening, two days after the release of gut-wrenching video of the murder of 29-year-old Tyre Nichols at the hands of policemen in Memphis.
Faith Ringgold, the 93-year-old doyenne of African American art, a trailblazing master who foreshadowed the recent rise of art activism and Black figuration, is having her first solo museum show in Chicago.
"The Last American Indian on Earth", a performance art piece by Gregg Deal,a member of the Pyramid Lake Paiute Tribe originally based in northwestern Nevada.The project documents what happens when an unsuspecting public is confronted with the flesh-and-blood version of a stereotype, one that for most is the only authentic expression of what it means to be an Indigenous person of the American continent.
The Voice of Dissent
“I am not here to entertain you; I am here to disturb you. Those who are here for entertainment, I request them, please go.” It’s unusual, if not rare, for a live performer to begin by saying that to the audience. The compact of patronage that’s implicit is what Sambhaji Bhagat smashes right at the onset of his performance. For him, this art is a quest for the truth that will liberate the people he represents.
Howardena Pindell presented her solo exhibition, “Rope/Fire/Water”, her first video in 25 years and a project utilized by the artist since the 1970s that The Shed commissioned and displayed in late 2020 and into early 2021. “Rope/Fire/Water” mines the history of violence against African-Americans and features Pindell’s personal anecdotes and anthropological and historical data related to lynchings and racist attacks in the United States.
Despite frigid temperatures, community members gathered Sunday afternoon outside the Governor’s Mansion in St. Paul to express solidarity with the family of Tyre Nichols, a 29-year-old Black man who died three days after being beaten during a January 7 traffic stop in Memphis, Tennessee. Authorities released video of Nichols’s arrest and beating Friday evening.
The story of an artist. Laolu Senbanjo grew up surrounded by the culture and mythology of the Yoruba, an ethnic group from the southwest of Nigeria, but he never imagined how it would influence the artist he is today. After a career as a human rights attorney, Senbanjo moved to New York City to pursue art full time. “With my art, I like to tell stories, I like to start a conversation,” says Senbanjo, but life as an artist in New York was tough.