In this article, author Caroline Choi highlights different grafiti artists and their stories. These artists use their talent to tell their stories, ones that might not get to be told otherwise. She goes into the history of grafiti, and how it ties into how rich and white the art world has become.
Most brands have expressed eternal love for emojis in recent years, as they try to talk the talk of young people today. Not so fast, says Always' "Like a Girl" campaign, which points out in a new ad that the images of women in the standard Unicode emoji set are woefully stereotypical.
A couple weeks ago, the internet’s right-wing outrage machine trained its sights on the small liberal arts school in Wisconsin where I teach. Ripon College had banned 9/11 memorials, venues like the Drudge Report and the Federalist Papers declared, because they might make Muslim students uncomfortable. On Twitter, folks who’d never previously heard of the school inveighed against its reputation, suggesting Ripon must be run by anti-American communists.
A video campaign titled Sympathy Cards, initially released in 2018, is going viral again.
The chilling video depicts, via hidden cameras, shoppers walking by or browsing the greeting cards section at a shop. Shocked, confused, some visibly upset, shoppers freeze when they notice that, along with the traditional selection of greeting cards, is a section devoted to school shootings.
New York artist Donna Choi wanted to create a “weird, memorable way” to discuss fetishization of Asian women, so she put together a satirical series about how to diagnose Yellow Fever—the specific obsession many Western men have with Asian culture.
The over-the-top series is a discussion of race crafted for the attention span of the Internet.
I emailed with Choi about her thinking behind the Yellow Fever series.
LEGOVC is a fictional, made up, 100% fake, plastic, 'pantomime villain' Vice Chancellor of a fake British University struggling as his utter managerial brilliance crumbles in the face of sustained strike action by his staff after their pension scheme is slashed.
The signature angst of our time was profoundly expressed in the poems submitted for WOMAWORDS Literary Press June 2020 edition, Imaging Life After COVID-19, offering women poets an opportunity to write about their experience of the pandemic and their vision of or for the future. The universal trauma wrought by this virus, invisible and silent and pouncing with madness and mendacity, brings us to a place we’d like to forget but never will.
The long-awaited New Museum retrospective of conceptual art pioneer Hans Haacke fell victim to internet hackers over the weekend trying to make a political point. The intervention drastically skewed the results of an iPad-based artwork that was meant to record real-time visitor responses.
Vince Staples mentioned Long Beach's Ramona Park approximately 80 times on his debut album Summertime '06 and even allotted the park two of its own tracks: "Ramona Park Legend Pt. 1" and "Ramona Park Legend Pt. 2." "The sun come down and guns come out, you know Ramona Park."
A satirical TV comedy show caused a security alert after coming within yards of George Bush's hotel at a top-level government conference in Australia.
The Chaser's War on Everything, which airs on the ABC network, sent a team to the Apec summit in Sydney with spoof security passes saying "joke", "insecurity" and "It's pretty obvious this isn't a real pass".
ARTS/CULTURE
FOKAL is the hub in Haiti where locals and international visitors from all walks of life -- artists, writers, citizens, activists-- come together to discuss the most pressing nation- and community-building issues, enjoy cutting edge artistic expressions, and share their ideas.
The user muchachafanzine on instagram is an activist who writes a "decolonial native xicana feminist fanzine". They are an online activist and they spread their message through their page, the zine, and through merchandise. Daisy Salinas began Muchacha Fanzine as a feminist punk zine in 2011. Over the years, Muchacha has grown into a larger, submission-based compilation of work by marginalized voices from around the world.
The purpose of this project was the permeate stock images with more depictions of Black people. Stock images are usually easily found and utilized, showcasing people doing everyday activities or scenes. To boost representation of Black people in this particular image field, were left out, so the artist chose to recreate popular stock images with Black models to showcase representation and shed light on the lack of diversity in these photos.
Eyewear style icon Ray-Ban is being praised throughout the lesbian, gay, bisexual and transgender (LGBT) blogosphere for a new advertisement that's both gay-inclusive and trendy to boot.
Released as part of their "Never Hide" campaign in connection with the company's 75th anniversary, the new ad features two sharply-dressed gay men out for a romantic stroll on a busy sidewalk.
Julia Bluhm told The Huffington Post: “I’ve always just known how Photoshop can have a big effect on girls and their body image and how they feel about themselves”. So on May 2, 2012, 14-year-old Bluhm lead an anti-Photoshop protest in front of the Hearst Tower, which is home to Seventeen Magazine. Other protesters included her mother and members of the SPARK movement (Sexualization Protest: Action, Resistance, Knowledge).
It may have been a while since you’ve set foot in an internet cafe, but a pop-up one on the Lower East Side offering free tea on top of free wifi is well worth a visit for a lesson in online freedoms.
"White Noise explores the seductive power of extremism. Hatred feels good. But the fix is fleeting. As the film progresses, the subjects reveal the contradictions at the heart of their world. Lauren Southern advocates for traditional gender roles, but resents the misogyny and sexism of her peers. Mike Cernovich warns that “diversity is white genocide,” but has an Iranian wife and biracial kids.
New Beijing, New Marriage is a documentary shot by Fan Popo, a Chinese gay rights activist in 2009. The film recorded that a gay couple and a lesbian couple, who were volunteers instead of real homosexual couples, were having their wedding photos taken at Qianmen Street on Valentine’s Day. Qianmen Street is a crowded and famous shopping street in Beijing.
‘‘HAMILTON,’’ the new musical biography of Alexander Hamilton created by and starring Lin-Manuel Miranda, kicks off with a doozy of a question. The houselights rise on Aaron Burr, the third vice president of the United States and, infamously, the killer of Hamilton in a duel in 1804. Burr steps to center stage and reels off several lines of verse:
Mind Over Media is a crowdsourced educational platform that contains diverse examples of contemporary propaganda on a wide range of social, political, economic and environmental topics.
“Piano Stairs” is an interactive playful musical stairway installation created into the Odenplan underground station of Stockholm to make people use stairs more often than elevator. The project was part of a Wolkswagen initiative called “The fun theory” whose main objective and mission is to “change people’s behaviour for the better by making it fun to do.”
The problem with feminism is that it’s just too familiar. The attention of a jaded public and neophiliac media may have been aroused by #MeToo, with its connotations of youth, sex and celebrity, but for the most part it has drifted recently towards other forms of prejudice, such as transphobia. Unfortunately for women, though, the hoary old problems of discrimination, violence and unpaid labour are still very much with us.
Actor and comedian Bill Cosby is a household name to the American public. But in the last year alone, Cosby's name has been tarnished by decades of hidden scandal. Allegations against Cosby as a sexual predator have recently gained new media traction. Much of this attention was spurred over Twitter thanks to a Cosby "meme generator". The generator allowed for visual representation of past predatory allegations against Mr. Cosby.
PARIS — Ten a.m. on a frigid Monday morning, the first day of the couture shows, and Kylie Jenner was strutting through the marble halls of the Petit Palais trying to find her seat for Schiaparelli, shoehorned into spiky stilettos and a black velvet one-arm gown, a full-size tawny lion’s head jutting from the side. It was as if Aslan had taken a break from Narnia and stuck his muzzle through a time-space continuum under her armpit.