"Every year Playboy releases the ultimate guide to campus life: our infamous party school list. Over the years, it has been brought to our attention that some of our long-standing party picks have a not-so-toast-worthy, rape-ridden side to their campus life."
Greg Jobin-Leeds, a long-time social activist, collaborated with AgitArte, a collective of artists and organizers, to capture the stories of today’s social movements and the activists behind their success with the release of When We Fight, We Win: Twenty-First-Century Social Movements and the Activists That Are Transforming Our World.
On his way to work on a construction site, Khaleel Seivwright surveyed the growing number of tents lining an intercity highway and in parks with increasing discomfort. How would these people survive Toronto’s damp, frigid winters, let alone the coronavirus, which had pushed so many out of overcrowded shelters?
He remembered the little shanty he had once built out of scrap wood while living on a commune in British Columbia.
El Anatsui, a visionary originally from Ghana, blends discarded materials into breathtaking sculptures that, in themselves, advocate for change and prompt us to reimagine our relationship with the environment.
La Casa Invisible project was started in 2007 in Malaga, Spain, when a group of socially involved participants squatted in a run-down building, aiming to eventually claim the legal rights to the property (Moor & Smart, 2016). The space was opened to local artists and creators, quickly becoming a hub for free local music, performances, and seminars as well as creating an important meeting space for social groups (Moor & Smart, 2016).
A viral video of a student dance performance in southern China’s Guangxi Zhuang Autonomous Region has won praise for speaking out against so-called ghost marriages, which many today see as an archaic and even dangerous tradition.
Ghostbikes.org is intended to be a site for the worldwide cycling
community where those lost on dangerous streets can
be remembered by their loved ones, members of their local communities,
and others from around the world. They also hope to inspire more people to
start installing ghost bikes in their communities and to initiate
changes that will make us all safer on the streets.
During 2008-2009, when the United States was entering a recession, the idea of the Homeless Art Gallery was popping up across Staten Island, New York City's least populated borough and biggest underdog. This is an example of art intervention, disrupting space to question the economic and political systems of capitalism. It was also an excellent community building project.
Visual artist Alexandre Orion removes soot in an artful manner to produce skulls in the tunnels of the polluted city of Sao Paulo. Orion does so in an attempt to create intervention, raise awarenes, and decrease pollution. "From the ocular cavities of so many dead, his work looks out on the living and interrogates people passing by; it quietly criticizes our omission, our comfortable acceptance of pollution." ( Jose De Souza Martins)
The survival of bees in the world is threatened and the extinction of bees is a serious threat to the human race too. Over the past few years, it seems that bees have a greater chance of survival in cities than in rural areas where they are heavily threatened by pesticides used in agriculture. For this reason, this project aims to create a safety area, as a sort of haven for all species of bees on a roof in Staatsliedenbuurt in Amsterdam.
The Vulvatron was created specifically for Burning Man 2014. A multi-sensory experience, the Vulvatron attempts to communicate to those whom interact with it a distinctly feminine mystery. What is woman? In a world that has politicized, exoticized, sexualized, objectified, made their stake in women, what remains? Creating a gigantic object inspired by female anatomy in a world surrounded by phallic objects is a medicine story in itself.
"To discover
the seemingly endless variety of enthusiasms pursued by New
Yorkers, whether they were carried from immigrants' cultures
from overseas or indigenous to the city landscape.
These are real New Yorkers who have found fascinating ways to
Inspired by the ecological disaster unfolding across the planet and driven by empowering underrepresented people, Moule, a painter, illustrator, and graphic designer, creates art that makes a statement.
Dressed in a magenta blazer and wearing bright pink lipstick, she is as colourful and spirited as one of her illustrations.
Greenpeace released a video to spread the word that Nestle, the maker of Kit Kat, was using palm oil purchased from companies that are destroying the Indonesian rainforest and pushing orangutans towards extinction. The video, which features a guy opening a Kit Kat at work, pulling out an orangutan finger and taking a bite, shocked hundreds of thousands of viewers. The Greenpeace campaign against Nestle was a success.
If you’ve spent a decent amount of time on Twitter, you’re probably familiar with the concept of K-pop fancams. The short clips of live performances, primarily by South Korean acts, often dominate replies on the app and are hated by many. This week, however, the social phenomenon has taken over in a different way: to fight for the rights of Black Lives Matter protesters seeking justice after the death of George Floyd.
On June the 18th 2013 in Istanbul, Turkey suddenly a man appeared on Taksim Square, just standing there.
After more than 2 weeks of peaceful protest against the ruling Prime Minister and his party AKP Taksim Square is still the focus point of attention.
Nine protesters pushing for the Empire State to reopen from its coronavirus lockdown were busted Saturday afternoon outside City Hall, for not obeying social distancing guidelines, sources told The Post.
The nine were among about 20 who rallied at Park Row and Spruce Street, holding signs that read, “Not Afraid to Fight” and “Reopen NY” sources said. Some of the protesters were not wearing a mask or face covering, a witness said.
“So dramatic, so strong, so visual,” artist Stéphan Gladieu said of his first encounter with the revival of an ancestral folk art movement in Kinshasa, Democratic Republic of Congo. Kinshasa is the capital of Congo but also one of the many places American and European countries send their waste.