This special EDition is a revolutionary chant against the menacing cantankerous demonic , satanic COVID 19. And again doubles as a bold and poetic supplication to the great Almighty God to release us off this pandemic bondage. This Edition is a poetically driven spiritual prayer for freedom of expression and freedom after expression.
Sophie Calle's works discuss the issue of "privacy", the composition of an individual's identity at the social level, and the relationship between "private" and "public/group/society", including personal information, personal records, public surveillance, and other topics. An obvious feature of her works is the unique and extremely subjective criteria of judgment and reference for measurement.
*We would like to thank everyone who who participated in a very successful first Butterflies for Bealtaine*
For the month of May, we invited all ages to creatively respond to the theme of The Butterfly and to share a change they wish for on a personal, community or global level.
In Ireland as in many parts of the world we have been in a quarantine situation because of the global pandemic. This environment informed our project.
Recently, residents in the coastal city of Ningbo rallied to oppose the expansion of a plant that produces paraxylene (PX), a potentially hazardous chemical used in the production of plastics and polyester. Protesters organized using microblogs and other social media and turned out over several days in demonstrations of people power that sometimes met with violent confrontations with police.
To state or chant ‘BLACK LIFE’S MATTER’ is not to say other lives don’t matter, it’s a reminder that four hundred years and counting, black lives didn’t matter enough. Not during the dark era of slave trade and its horrors on the African, not after slavery ended and blacks were left holding the short end of the stick.
After J.Cole posted a song that implies that Noname can get her message across to a wider audience if she changes her tone, she releases another song in response. However, instead of explicitly responding to his critique, she uses the controversy to shed light on the death of Black female activist Oluwatoyin Salau, who was killed by her assaulter.
Our project aims to show people that joy can be an act of resistance and resilience in the face of global justice issues when harnessed in the right way. The sharing of joy can also act as a connector in a society that continues to grow more polarised through the division of social media and mainstream media.
When we think about the protectors of our oceans, our mind is instantly drawn to the image of the lifeguard. Pamela Anderson and David Hasselhoff in bright red swimsuits, their enviable bodies on show, as they run along the coastline. As a result our concept of the role has an elitism about it.
For FX Harsono, art is activism. Over the past four decades, performance, sculpture, and painting have become his means of nonviolent protest against government autocracy and ethnic strife in Indonesia.
Elina Chauvet’s red shoes are worldly. They’ve been in Milan, Italy, and Grand Rapids, Michigan. Not just one pair, but hundreds — red boots, red heels, red toddler shoes. They’re not there to see the sights, but to take up space. Especially when the women or girls who would have worn them no longer take up any space, except in the lives of their loved ones.
In 1932, Bennett Cerf, cofounder of Random House Publishing, acquired the rights to publish James Joyce’s Ulysses in the United States, believing that the book would be as successful as it had been throughout Europe. But Cerf had a problem. The book was banned in the United States and would be seized as soon as it came off the printing press, which would lose Cerf millions of dollars.
Joining art institutes nationally, a film on the 1921 Tulsa Race Massacre will premiere at the UMass Amherst Arts Center. This is especially important given its will be the 100th anniversary of the tragic event of when "Black Wall Street" was burned to the ground. It is widely known as one of the most violent events, let alone racially charged ones, in US History.
Mine is not Arts for the sake of Arts. It is a revolutionary INSGINA carved into the artistic plaque of my DNA to speak FREEDOM of expression and then freedom after EXPRESSION. The footprints of my revolutionary walk are dipped in the paths of RESISTANCE. My Ideological Swag -word is CREATIVITY. My spiritual birth mark is RESILIENCE. My revolutionary slogan is a nonviolent but a poetic fist of MASS INSTRUCTION. I am non-selfish believer.
Troy, Michigan couldn't afford to keep its library open, so it scheduled a vote for a tax increase. A strong anti-tax group waged a dominating campaign against it. Posing as a political group, an outside advertising agency posted signs around town that said, "Vote to close Troy library Aug 2, book burning party Aug 5." We invited everyone to our Facebook page, adding Twitter, Foursquare, want ads, flyers and more to drive engagement.
BRAVE VOICES POETRY JOURNAL is the scripture of FREEDOM religion, with her twin’s doctrine of justice and resilience. It comprises two Testaments. (1) the old testament of precolonial Africa; from Genesis of civilization through Exodus to slavery. From kings; Mansa,Tshaka , Selassie…through Psalms; Senghor, Diops,Okara,Brutus.
Many girls in China may have seen the advertisements of egg donation as a surrogate, in hospitals, schools, public toilets, shared bikes, ATMs...... They are everywhere and the number of this kind of advertisements is large. Though there are lots of girls who have never seen such advertisements or would never believe in them, there would still be some girls who would dial the numbers on the advertisements.
"MASK" is an art exhibition that explores the uses and meanings of masks, and ones feelings about them. Masks throughout history have taken many forms and have served many purposes. They have been used in construction, scientific research, technical manufacturing, medicine, the theater, and warfare.
The duo Libia Castro (b. 1970) & Ólafur Ólafsson (b. 1973) are the recipients of the Art Prize 2021 for their collective performance with the Magic Team In Search of Magic - A Proposal for a New Constitution for The Republic of Iceland.
The signature angst of our time was profoundly expressed in the poems submitted for WOMAWORDS Literary Press June 2020 edition, Imaging Life After COVID-19, offering women poets an opportunity to write about their experience of the pandemic and their vision of or for the future. The universal trauma wrought by this virus, invisible and silent and pouncing with madness and mendacity, brings us to a place we’d like to forget but never will.
Just over a decade ago on May 15, 2011, a wave of social outrage began as the Spanish people collectively decided that they had had enough of the corruption, cuts, and inequalities affecting their country.
Empathy may be the cornerstone of any Global Justice movement, but how do we cultivate the conditions for empathy to thrive?
The wheelbarrow symbolises something universally useful, practical and pleasingly straightforward. A space to deliver things in an efficient and direct manner - no packaging and completely people powered.
MOTHER EARTH is broken from incessant decadent wars carelessly perpetuated by mindless ,vicious political imbeciles. Our natural wealth plundered by greedy ,gluttonous economic dare-devils, imbibing crude oil and fresh blood . Warlord-ism set the suns of our freedom, our earth is torn naked . War is ravaging the beauty of African diamond fields ,We are now Wretched Vagabonds . Warlords are frying peace in oil springs of the Gulf.
An exercise that used drama/and audio visuals to engage with with all election partners, especially the political parties especially the political parties and their candidates/leaders, Electoral Commission, Musicians Association of Ghana, etc to push for a free, fair and peaceful Presidential and Parliamentary election and hand over of power to who ever won the elections peacefully.
Justin Brice Guariglia’s We Are the Asteroid employs a highway message sign to bring attention to how anthropocentric, or human-centered, attitudes have allowed for unsustainable systems that contribute to climate change. The artist generated the slogan for this work with eco-critic and professor Timothy Morton.