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2016
Chrysaleta

Projects tagged "Performance"

Coca Cola is Out of Order - Grassroots Campaign For Container Deposit Recycling in Australia
Practitioner:
Katso
Date:
Mar 4 2013
In March 2013 we started a grassroots boycott movement against Coca-Cola for exploiting legal loopholes to kill off container deposit recycling in the Northern Territory. We simply used the same successful strategy as the ANZ Out of Order action, putting out of order signs on Coca Cola vending machines and posting the photos on social media.
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Reverend Billy and the Stop Shopping Choir
Practitioner:
Reverend Billy
Date:
May 25 1950
Reverend Billy and the Stop Shopping Choir is a New York City based radical performance community, with 50 performing members and a congregation in the thousands. We are wild anti-consumerist gospel shouters and Earth loving urban activists who have worked with communities on four continents defending community, life and imagination. Our Devils over the 15 years of our "church" have remained the same: Consumerism and Militarism.
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Beethoven’s 200-Year-Old ‘Fidelio’ Enters Today’s Prisons
Practitioner:
Heartbeat Opera, Ethan Heard, Daniel Schlosberg
Date:
Jan 1 2018
Few opera choruses are as moving as the one a group of prisoners sings in Act I of Beethoven’s “Fidelio.” Released temporarily from their cells, the inmates almost whisper a hymnlike paean to liberty: “Oh, what a joy to breathe freely again in the open air.”
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Waiting for Godot in New Orleans
Practitioner:
Paul Chan - Creative Time
Date:
Nov 1 2007
ABOUT THE PROJECT
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Carolee Schneemann, Up to and including her limits, 1973-76
Practitioner:
Carolee Schneemann
Date:
Jan 1 1973
Carolee Schneemann is largely associated with her performance art of the 1960s and 1970s, in which she boldly addressed feminist and political issues in ways that shocked and engaged viewers. But she has always maintained that she is a painter, a fact often overlooked in discussions of her larger body of work. At the heart of her approach is her ongoing exploration of the boundaries of painting and drawing, as in Up to and Including Her Limits.
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Gay Shame S.F.
Practitioner:
Gay Shame S.F.
Date:
Dec 17 2001
From the screaming queens of the Stonewall Riots to the contemporary Human Rights Campaign corporate gays, the politics and methods of queer activism have clearly fluxuated. By the late 1970s, the radicalism of stonewall was replaced with a more formal Gay Liberation movement that focused on civil rights.
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Theater for Incarcerated Women
Practitioner:
The Medea Project
Date:
Jan 1 1989
Creative Time, Social Practice Archive: In 1989 actress/writer Rhodessa Jones was conducting classes at the San Francisco County Jail. Working with female inmates, she developed material for a performance piece called Big Butt Girls, Hard-Headed Women based on their lives and shared experiences.
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Bread and Puppet Theater
Practitioner:
Peter Schumann
Date:
Jan 1 1963
The Bread and Puppet Theater was founded in 1963 by Peter Schumann on New York City’s Lower East Side. Besides rod-puppet and hand puppet shows for children, the concerns of the first productions were rents, rats, police, and other problems of the neighborhood. More complex theater pieces followed, in which sculpture, music, dance and language were equal partners. The puppets grew bigger and bigger.
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1
FESPACO
Practitioner:
The Pan-African Festival of Cinema and Television
Date:
Dec 2 2017
Fespaco is a meeting place put to good use to promote the development of black cinematography. From 1973, topics of discussion are introduced at each edition.
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Why Prince is a Powerful Example of Artistic Activism
Practitioner:
Prince
Date:
Apr 21 2016
From calling out poverty in his lyrics to his support of coding, the legendary artist pushed the world to care about more than music.
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1
Sneaking the Jews out of Denmark
Practitioner:
Denmark
Date:
Sep 15 1943
In September 1943, the Nazis prepared for the deportation of all Danish Jews to the concentration camps and death. But Georg Duckwitz, a German diplomat with a conscience, deliberately leaked the plans for the roundup, which was due to begin on Rosh Hashanah, the Jewish New Year. Armed with the information from Duckwitz, Danes swung into action.
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Willie Mae Rock Camp for Girls
Practitioner:
Willie Mae volunteers
Date:
Jan 1 2001
Willie Mae Rock Camp for Girls is a non-profit music and mentoring program that empowers girls and women through music education, volunteerism, and activities that foster self-respect, leadership skills, creativity, critical thinking, and collaboration.
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Theresa May gets fired during speech
Practitioner:
Simon Brodkin
Date:
Oct 3 2017
At Theresa May's speech to the Conservative Party conference, comedian Simon Brodkin crept up to the stage and handed the Prime Minister a P45 form (the form that bosses in the UK use to formally fire their employees), telling her "Boris told me to do it."
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Teen Actors Keep Playwright August Wilson’s Legacy Alive
Practitioner:
The National August Wilson Monologue Competition
Date:
May 6 2013
Eight years after his death, the annual August Wilson Monologue Competition provides high school students from around the country an opportunity to carry on the African-American playwright’s legacy. That legacy includes Pulitzer Prizes for “Fences” and “The Piano Lesson,” two installments of Wilson’s 10-play series set in his hometown of Pittsburgh that examined 20th-century black life through the personal and political struggles of everyday people.
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Girl Be Heard
Practitioner:
Girl Be Heard, Ashley Marinaccio, Jessica Greer Morris
Date:
Sep 5 2013
Girl Be Heard is a theatre company founded by Artistic Director, Ashley Marinaccio and Executive Director, Jessica Greer Morris, which melds talent and background to create social justice theatre. The company has performed throughout New York City and worldwide to tackle global issues. Their productions include 9mm America, a Theatrical Uprising Against Violence, Girlpower: Survival of the Fittest, Trafficked, Project Girl: Congo, and Child Bride.
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2
Good Chance Theatre
Practitioner:
Joe Murphy and Joe Robertson
Date:
Jan 1 2016
Surrounded by a jungle of tents and mud, the Good Chance Theatre was set up last year by British playwrights Joe Murphy and Joe Robertson. The refugee camp theatre has been derided by many, but for the thousands of migrants who have journeyed across the world to Calais, the small dome has been the first and only place into which they have been welcomed, and their voice valued.
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Party #CierraBankia (Shut down Bankia)
Practitioner:
Enmedio
Date:
Jun 4 2012
First cut the banks! In 2012 Bankia declared itself bankrupt and, almost immediately, asked the Government of Spain for €23 billion. The Government accepted, yet that very same week ordered €20,000 million worth of cuts in health and education. It was then that we realized that what they called a crisis was actually a scam. You wouldn’t believe how pissed off we were. So we threw a party, because there is nothing like partying to relieve your anger.
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0
Speaking out against air pollution through Smog Art
Practitioner:
Ordinary People in China
Date:
Feb 28 2014
The action art performance themed "War on smog, we are taking action" was held by some environmental activists and volunteers on the commercial center and famous tourist spot Yangren Jie (Foreigners’ Street) in Nanan district, Chongqing municipality in Southwest China on Friday, Febuary 28.
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Protest against Iranian President Hassan Rouhani
Practitioner:
Sarah Constantin
Date:
Jan 28 2016
A Femen activist, Sarah Constantin, is hanged from a noose-like rope from a Paris bridge to call attention to the large number of executions in Iran as she stages a protest against visiting Iranian President Hassan Rouhani in Paris, Thursday, Jan. 28, 2016. A near-naked woman hanging from a noose-like rope from a Paris bridge has sent a message to visiting Iranian President Hassan Rouhani.
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Performative Radicalism: the Kumbi PSYOP
Practitioner:
BG Kumbi
Date:
Jul 16 2017
The internet has reshaped the ways we learn and communicate. Information becomes heuristic, concomitantly - knowledge becomes protean. If you dedicate enough time to any particular platform, you are likely to acquire a community with congenial individuals. Social media’s proliferation has obfuscated the lines between reality and fiction. Embraced as a tool for many, these digital spaces typically have no monitoring process.
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A Performance workshop “Misplaced Women?”
Practitioner:
Tanja Ostojic and participants of the workshop
Date:
Oct 29 2015
“Misplaced Women?” is an art project-workshop by Tanja Ostojic in which she and project`s participants – artists , art students , cultural workers and activists: Nela Antonovic, Gorana Bacevac, Nadezda Kircanski, Tatjana Beljinac, Milica Jankovic, Tamara Bijelic, Irena Djukanovic, Bojana Radenovic, Marija Jevtic, Irena Mirkovic, Jelena Dinic, Sanja Solunac and Suncica Sido showed the everyday life activities that are characteristic for migrants, refugee
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1
Transparency on R&D Costs
Practitioner:
Irene Romero & Universities Allied for Essential Medicines (UAEM) Europe
Date:
Nov 27 2017
A set of strategies to highlight the high cost of medicine and lack of transparency in the pharmaceutical industry including a funny and disturbing satirical website, video, and press conference to promote their fake organization, the Association of Honest Pharmaceutical Representatives.
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0
Ip Gim: Feminist Art and Activism
Practitioner:
Ip Gim
Date:
Aug 6 2004
"Founded in 1997 and active until 2018, Ip Gim was the first collective to use the word ‘feminist’ to describe itself in South Korea.
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University of Corrupted Sciences
Practitioner:
Faculty of University of Corrupted Sciences
Date:
Jan 23 2020
On the International Day of Education with students we have organized that creative action to ironizing the phenomenon of corruption in education. We founded “University of Corrupted Sciences” as a symbol of all the issues that have characterized the education system in our transition years.
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1
BLOOD. by Kendrick Lamar
Practitioner:
Kendrick Lamar
Date:
Apr 14 2017
Kendick Lamar is known as one of the most prolific, and socially conscious, rappers of our time. 'BLOOD.' is the second track off of Lamar's iconic album 'DAMN.' from 2017. What makes this song stand out is the sample used at the end of part one of the song.
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