CultureStrike in partnership with Mariposas Sin Fronteras , End Family Detention and 15 artists from across the country, brings you Visions From The Inside, a visual art project inspired by letters penned by detained migrants.
To bring attention to the widespread apathy toward climate change, nonprofit group 350action and agency Barton F. Graf 9000 got a little personal. Tapping into the meteorological legacy of naming hurricanes after people–thereby marring the good names of unsuspecting Sandys, Irenes and Katrinas everywhere–“Climate Name Change” told the same storm story, but subbed in the name of prominent politicians who refuse to acknowledge climate change.
Across the United States, 2,693 people have received a letter in the last few months, which identified a debt and read: "You are no longer under any obligation to settle this account with the original creditor, the bill collector, or anyone else." This is the work of the Rolling Jubilee project – a non-profit initiative which buys personal debt for pennies on the dollar in the secondary market (where debt is sold to companies who then resell i
Sarcastic delivery spoken to black people talking about issues regarding black "progress" , media, consumption among other things
https://www.instagram.com/jillisblack/?hl=en
https://www.instagram.com/p/Bb3Y-bQFc2a/?hl=en&taken-by=jillisblack
Rohan Zhou-Lee pens a power letter to Asian women, reminding us of our brilliance, heroism, and inherited centuries of Asian woman power.
To any Asian Woman, cis or trans, who might read this:
Angry Asian Girls United was created in 2012 by a then-17 year old girl who was frustrated with feeling like there was no place for her to talk about issues of racism and othering. This community has since grown in the thousands and seen hundreds of stories told from Asian girls and women all over the world.
In 2016, photojournalist Gulnara Samoilova was running a successful wedding photography business. Her diverse portfolio of work spans two decades — with images in the permanent collections of The New York Public Library, 9/11 Memorial Museum and Houston Museum of Fine Arts — but weddings had become her staple business. By the year's end, she'd decided to pack it in.
The video for “Borders,” a song off MIA's album Matahdatah, features images recalling all sorts of migrations from the developing world—there are people crossing deserts, fences, and bodies of water. Though much of M.I.A.’s work has been about women and children, this video is filled with brown men: the ultimate bogeyman for many in the West, stereotyped as terrorists, criminals, and job-takers.
After a spate of bullying-related suicides of LGBT youth, gay columnist Dan Savage and his partner Terry Miller decided to launch the It Gets Better project to see what they could do about it. They began with a simple YouTube video in which both of them described their experiences with bullying in high school, coming out, their families, and the story of their relationship and the adoption of their sun.
I Shop Therefore I Am (1987) is the work of Barbara Kruger . It became an iconic artwork, being reproduced on items such as shopping bags and other consumer products such as t-shirts. Kruger has often derived images from the mass media and pasted the words over them, particularly in Futura Bold . She then uses advertising to design her works.
Pneumoconiosis has become the most serious occupational disease in China, and the vast majority of sufferers, nearly 6 million, are migrant workers. Because of the long-term inhalation of dust caused by pulmonary fibrosis, they usually breathing if not oxygen machine help, easy to suffocate.
Mounica Tata launched Doodleodrama as an online journal to improve representation for her body type in mainstream media. “I’ve always been an overweight person and bullied and shamed for the same. Only fairly recently I’ve learned to make my peace with my body. My own journey with my body inspired/continues to inspire me to talk about it.”
A photo project/online feed to increase visibility of sex workers and increase the sex workers’ sense of community of voice, in response to a spate of violence against the community in Ireland. The project led to a piece in The National, and increased area interest and conversation about violence against sex workers.