The Critical Engineering ManifestoThe Critical Engineer considers Engineering to be the most transformative language of our time, shaping the way we move, communicate and think. It is the work of the Critical Engineer to study and exploit this language, exposing its influence.
The Survivaball made its first appearance in 2006, when "Halliburton representatives" attended a conference on catastrophic climate change and demonstrated the functionality of the large inflatable suits ("a gated community for one"), which keep corporate managers safe from global warming. Not long afterward, in Berlin, the Yes Men learned they also work as disruptive, arrest-resistant tools.
The late, late snow has finally disappeared from Berlin’s streets. Visible once again, here and there, are the “stumble stones” –Stolpersteine in German – with their brief, tragic messages.
Many Berlin tourists will enjoy the night life. They may also look upwards – at the giant TV tower, the Brandenburg Gate, at ancient and less ancient churches. There is a wide assortment of memorial monuments, some impressive, some uninspiring.
It was once the most feared address in Berlin, a place easy to enter but very hard to leave. Now the ruins of the former engine room of Nazi terror at Prinz Albrecht Strasse in Berlin have been preserved in a new exhibition space open to the public from tomorrow.
The term “Afrofuturism” was coined in the 1990s by the cultural critic Mark Dery, who recognized a preoccupation with the future in the work of a number of black artists. Ever since, it has remained a term that is retrospectively applied to seemingly disparate artists, from Missy Elliot to Toni Morrison. What unites the movement is a shared fascination with the black experience, particularly in America.
About 6 months before the fall of the Berlin Wall in November 1989, installation artist Marc Thompson began conceptualizing and constructing an installation that would reflect the absurdities of the divided city. Thompson´s work was part of the Ressource Kunst exhibition.
Christine Sun Kim's series Degrees of My Deaf Rage is a series of charcoal drawings of charts that depict the artist's varying degrees of what she calls "deaf rage." These frustrations are categorized by situations: deaf rage in the art world. institutional deaf rage, deaf rage concerning interpreters, deaf rage while traveling, deaf rage within educational settings, deaf rage in everyday situations.
Amongst the European network of cultural institutions there has been widespread recognition that the climate crisis is a cultural crisis. In 2019 members of the European Theatre Forum convened and adopted the Dresden Convention, a revolutionary text that aimed to lower the carbon footprint and better the sustainable practices of the theatre and cultural sector at large.
By Joe Laur
Members of the creative collective Neozoon, a group of artists based in Paris and Berlin, are staging a protest against using animal furs as fashion by turning fur coats into street art graffiti.
Apparently, they are taking furs and fur garments and reshaping them into animals in action on streets, along alleyways, against walls and even on trees in parks.
"Politaoke is non-partisan political karaoke project in which participants can respeak real contemporary political speeches from local, national and international politicians. Now you too can deliver the great rhetoric filled speeches of today’s most important politicians in this audience participation performance! Just come to a show, select a speech and take the mic when your name is called.
Chinese artist Ai WeiWei has drawn on the stool part of that French surrealist's pioneer work for his latest exhibition, the largest ever devoted to Ai, which opens in Berlin this Thursday. The show, entitled Evidence, is at Berlin's Martin-Gropius-Bau exhibition hall, and consists of either entirely new works, or pieces never seen in Germany before. The exhibition is huge, taking up 3,000 square metres in total and running across 18 rooms.
Adrian Piper's "Funk Lessons" (1982-84) was a series of performances and collaborative events in which the artist taught white participants about black funk music, its culture, and its history, aiming to deconstruct stereotypical ideas about Black culture.
"A live interview with the leader of the far-right Alternative für Deutschland was interrupted by protesters. During the live television interview with ARD, Alice Weidel, co-leader of AfD, appeared at times to struggle to hear the questions being asked of her as protesters gathered below the provisional stage for the interview in Berlin.
Bit Rosie showcases female music producers in high quality performance videos and short documentaries. Our videos and digital archive project with the New York University library document the work of women using music technology to make sounds across genres and locales.
Bit Rosie is directed and produced by Adele Fournet.
http://www.adelefournet.com/
As part of an international workshop (10-11 October 2015) with the Center for Artistic Activism, 17 trans activists and artists from 13 European countries developed a creative campaign to mark some of the spaces in Berlin which have symbolic significance for trans people.
Since the fall of the Berlin Wall on November 9th, 1989, the cement segments that remain have stood as something more symbolic than just a wall. With installations in every continent, except for Antarctica, the East Side Gallery is the most authentic existing part of the Berlin Wall.
ODBK is an activist organization that aims to create a more equal, diverse, inclusive, transparent and democratic art world. ODBK seeks to do this by diversify and increase the number of people who understand and engage with contemporary art.
A set of strategies to highlight the high cost of medicine and lack of transparency in the pharmaceutical industry including a funny and disturbing satirical website, video, and press conference to promote their fake organization, the Association of Honest Pharmaceutical Representatives.
As part of an international workshop (10-11 October 2015) with the Center for Artistic Activism, 17 trans activists and artists from 13 European countries developed a creative campaign to mark some of the spaces in Berlin which have symbolic significance for trans people.
Chinese artist Ai Weiwei covered a Berlin landmark with thousands of refugee life jackets for his latest installation. The striking display was the activist's attempt to highlight the scale of migrants taking to the seas every day.
"Potatoe Walkout" is a series of art installations located outside public food venues, featuring potatoes and cucumbers outfitted in sunglasses, picket signs, umbrellas, and other objects (depending on the depicted scene, which varies). Some scenes represent protest, others represent army battles, and other represent acts of crucifixion.
We at "Left Youth ['solid] Kreuzkölln" have been around long enough of this policy and its lousy consequences for us. But how to solve the problem now? The problem is clearly the capitalist society for us. Even at school you will be prepared for competition and profit motive. We say: Stop it!
The manifesto:
Barbie Dream House in Berlin? Not with us!
In 2013, Shell sent out press releases about their upcoming event, the Science Slam, which would aim to “celebrate the company’s responsible oil production” and “showcase ideas for renewable energy by scientists and students.” Essentially, Shell organized this event in the hopes that it would allow the multinational oil company to appear as if it is actually concerned about the environment and finding alternatives to oil.
Intro
The Social ID Bureau is handing-out personal identification cards for a limited number of Facebook Social Network citizens, interested in alpha testing.
Be the first among your friends to pick-up your social identification card and explore the future.
What happend?