“Rose Boy” (玫瑰少年) refers to Yeh Yung-chih, a 15-year-old junior high school student in Taiwan who died on April 20, 2000, after years of bullying due to his non-conforming gender expression. Though the official cause of death was ruled accidental—he allegedly slipped in a school bathroom—the circumstances surrounding his death, including prior complaints from his mother about repeated verbal and physical harassment, drew widespread public attention.
From Public Delivery:
"The art piece, which was showcased at the Flashpoint Gallery in Washington D.C. from February 1 to 17, 2019, allowed visitors to interact with it. The audience had a pile of crumbs placed right in front of the three-walled setup, which they would through and watch as ‘Ivanka’ vacuumed them all up.
I Shop Therefore I Am (1987) is the work of Barbara Kruger . It became an iconic artwork, being reproduced on items such as shopping bags and other consumer products such as t-shirts. Kruger has often derived images from the mass media and pasted the words over them, particularly in Futura Bold . She then uses advertising to design her works.
The dramatic demonstration of people power on the streets, called the “Candlelight Revolution,” was sparked off by President Park’s abuse of power and corruption. She had shared classified information on state affairs with her close confidantes, including Ms.
"To that end, in the Spring of 2014 we launched the Chasing Ice Ohio Tour in an attempt to use the film to shift the political conversation around climate change. As a society, for us to address climate change properly, we need our leaders in Washington to stop debating about whether or not it is actually happening and start taking action.
"Spears entered the conservatorship in 2008, at age 26, when her struggles were on public display. Now she is 39, and a growing number of her fans are agitating on her behalf, raising questions about civil liberties while trying to deduce what Spears wants.
Protesters from Extinction Rebellion disrupted London Fashion Week last weekend (15 February).
The group called on the industry to change its approach to protecting the planet: “We are asking not for sustainability but a complete reinvention of this industry in a way that regenerates the environment,” Extinction Rebellion spokesperson Sara Arnold said.
Guerilla Crip performs disability rights poetry in her local woods to protest about the persecution, discrimination and oppression that disabled people in the UK have endured since 2010 in the UK. We are being impoverished, demonised and targeted in society and by successive governments. Enough is enough!
In a bid to fight the spread of COVID-19, the EU Delegation to Ghana on Wednesday 27 May joined the International Organisation for Migration (IOM), the Accra Metropolitan Assembly (AMA) and artists from the Ghana Graffiti Collective, to launch an initiative to use street art and graffiti to create awareness about coronavirus and migration.
The artwork created by the Ghana Graffiti collective speak about hope, tolerance, love and solidarity.
A viral video of a student dance performance in southern China’s Guangxi Zhuang Autonomous Region has won praise for speaking out against so-called ghost marriages, which many today see as an archaic and even dangerous tradition.
Samaria Rice, left, and Terrence Spivey welcome the crowd at the Tamir Rice Sweet 16 event to raise funds for a new youth oriented cultural center Thursday, June 14th, 2018, at the Cleveland Museum of Art in Cleveland, Ohio. Photo by Tim Harrison/Special to The Plain Dealer
Inspired to carry on Tamir's legacy
Nadya Tolokonnikova is a Siberian artist and a creator of the feminist protest art collective Pussy Riot. Tolokonnikova’s political actions and wide-ranging performance interventions have established her as a leading voice in the fight against authoritarian power. During her residency, she will compose performances that demonstrate her multifaceted approach to resisting systems of oppression and dehumanization.
While meditating in front of a Nepalese Sarasvati statue on New Year's Day in 1991 at her California home, Mayumi received a calling that brought a sudden halt to painting. Having witnessed the horrors of atomic bombings as a child and later, watching her beloved Japan become a leader in nuclear-energy, and seeing the effects of depleted uranium, Mayumi had to pursue a global cause greater than her art or feminism.
Hundreds of taxi drivers gathered together on the streets of Mexico City protesting against Virtual apps like Uber and Cabify. They formed a caravan and stopped the traffic for hours, as a way of denouncing unfair price competition.
Chen Boer's first heroine film, which she co-wrote and directed, was "Daughter of China," about female soldiers in the Northeast Anti-Japanese United Army. They didn't have much filmed material at the time, but as a feminist, Chen Boer clearly wanted to record the sacrifices and contributions of Chinese women in the War of Resistance against Japanese Aggression.
Peter Marks Review from the Washington Post:
“As Far as My Fingertips Take Me,” a performance piece about the ordeal of seeking refuge by Tania El Khoury that’s being presented for the next 2½ weeks in the lobby of Woolly Mammoth Theatre. For this hypnotic, one-audience-member-at-a-time experience, you pass through the door of a white-walled booth and slip into a white lab coat before putting on a pair of headphones.
A group of protestors and organizers from Sunrise Movement, Earth Guardians, 350 Eugene, Cascadia Wildlands and more staged a bike march culminating with a die-in outside of the Northwest Natural Gas headquarters in Eugene, Oregon.
The protestors lie on the ground outside the NWN building, beneath tombstones donning the dangers of natural gas.
Comic artist Huda Fahmy has been breaking down walls with her hilarious comic "Yes, I'm Hot in This."
In her own words, "What started as my therapeutic way of dealing with the Islamophobia and prejudice I encounter on the daily has now turned into this amazing opportunity to tell the story of the American hijabi."
A video campaign titled Sympathy Cards, initially released in 2018, is going viral again.
The chilling video depicts, via hidden cameras, shoppers walking by or browsing the greeting cards section at a shop. Shocked, confused, some visibly upset, shoppers freeze when they notice that, along with the traditional selection of greeting cards, is a section devoted to school shootings.
The screen portrayal of a cancer sufferer whose illegal import of foreign medicines into China spurred national policy changes has become a box-office smash as audiences flock to a rare Chinese film on a hot-button issue.
Dying To Survive is based on Lu Yong, who was arrested in 2013 after illegally importing a generic cancer drug in a case that sparked public debate about high medical costs.
The Immigrant Yarn Project (IYP), organized and created by Cindy Weil was a massive work of public and democratic (crowd-sourced), yarn-based art honoring our immigrant heritage and promoting tolerance, difference, and community. Weil reached out across the state and beyond to collect yarn-based creations by immigrants and their descendants.
The Propaganda Machine is a battle cry delivered in the language of extreme metal. On Sahil Makhija’s fourth solo album as Demonstealer, he takes aim at the right-wing politicians, racist nationalists, disinformation artists, and religious extremists who manipulate and exploit the masses, in his native India and all over the world. He doesn’t mince his words; just about every lyric on the album could easily be printed on a protest sign.
Shooting Without Bullets incubates young artist activists and eliminates systemic barriers in art and society for Black and Brown youth, all while spreading bold messages of justice and equity across Northeast Ohio and beyond. In Our DNA, their new public art initiative, uplifts Cleveland’s Black history to catalyze present and future racial equity, social justice, and civic engagement efforts across Cleveland communities.
“It could have been me,” Jean-Michel Basquiat would say at the mere mention of the untimely death of Michael Stewart. Stewart, a 25-year-old artist, was allegedly drawing on the walls of the subway on 15 September 1983 when he was approached by transit cops who then placed him under arrest.